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Mozart Complete Works for Two Pianos
For the first time, Mozart’s complete works for two pianos including fragmentary works are published together in one volume. As well as the famous Sonata in D major and the Fugue in C minor, the volume contains the fragmentary Larghetto and Allegro in E-flat major in the contemporary completion by Maximilian Stadler , rediscovered in 1963. The significance which Mozart attached to his Fugue in C minor is reflected in the fact that he arranged it for strings in 1788, when he added an introductory Adagio. This Adagio is included in the appendix of this edition in an arrangement for two pianos. A foreword in German and English by the renowned Mozart scholar Manfred Hermann Schmid discusses questions on the history and development of the works as well as on performance practice.
Content
Einleitung: Mozarts Werke für zwei Klaviere:·
Die Sonate KV 448
Sonaten-Fragmente
Die Fuge KV 426 und andere kontrapunktische Arbeiten
Mozarts Instrumente
Zur Edition
Anmerkung zum Fingersatz
Introduction: Mozart's Works for Two Pianos:
The Sonata K. 448
Sonata Fragments
The Fugue K. 426 and Other Contrapuntual Essays
Mozart's Instruments
Notes on the Edition
Note on Fingering
Faksimiles / Facsimiles
Sonate KV 448
Fuge KV 426
Anhang I: Fragmente / Appendix I: Fragments:
Faksimile / Facsimile: Erste Seite des Larghetto und Allegro KV deest / First page of the Larghetto and Allegro, K. deest
Larghetto und Allegro KV deest = Fr 1781f
Grave und Presto KV Anh. 42 = Fr 1782b
Sonatensatz KV Anh. 43 = Fr 1782c
Allegro KV Anh. 44 = Fr 1785d
Fuge KV Anh. 45 = Fr 1785a
Anhang II / Appendix II:
Adagio KV 546 Bearbeitung für zwei Klaviere von Michael Töpel / Adagio, K. 546, Arrangement for two Pianos by Michael Töpel
For the first time, Mozart’s complete works for two pianos including fragmentary works are published together in one volume. As well as the famous Sonata in D major and the Fugue in C minor, the volume contains the fragmentary Larghetto and Allegro in E-flat major in the contemporary completion by Maximilian Stadler , rediscovered in 1963. The significance which Mozart attached to his Fugue in C minor is reflected in the fact that he arranged it for strings in 1788, when he added an introductory Adagio. This Adagio is included in the appendix of this edition in an arrangement for two pianos. A foreword in German and English by the renowned Mozart scholar Manfred Hermann Schmid discusses questions on the history and development of the works as well as on performance practice.
Content
Einleitung: Mozarts Werke für zwei Klaviere:·
Die Sonate KV 448
Sonaten-Fragmente
Die Fuge KV 426 und andere kontrapunktische Arbeiten
Mozarts Instrumente
Zur Edition
Anmerkung zum Fingersatz
Introduction: Mozart's Works for Two Pianos:
The Sonata K. 448
Sonata Fragments
The Fugue K. 426 and Other Contrapuntual Essays
Mozart's Instruments
Notes on the Edition
Note on Fingering
Faksimiles / Facsimiles
Sonate KV 448
Fuge KV 426
Anhang I: Fragmente / Appendix I: Fragments:
Faksimile / Facsimile: Erste Seite des Larghetto und Allegro KV deest / First page of the Larghetto and Allegro, K. deest
Larghetto und Allegro KV deest = Fr 1781f
Grave und Presto KV Anh. 42 = Fr 1782b
Sonatensatz KV Anh. 43 = Fr 1782c
Allegro KV Anh. 44 = Fr 1785d
Fuge KV Anh. 45 = Fr 1785a
Anhang II / Appendix II:
Adagio KV 546 Bearbeitung für zwei Klaviere von Michael Töpel / Adagio, K. 546, Arrangement for two Pianos by Michael Töpel
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